Embroidery problems ? How to Solve most of you embroidery Stitching Problems

Info & Tips - How & What to use

BACKINGS & TOPPINGS—STABILIZERS

1. The first thing to consider for the best outcome of any embroidery design. We have to make the fabric conducive to the thread, needle, stitch count density and tension setting! If this isn't done, you will never produce a quality design that will maintain its shape after laundering.                                                                                                       
2.
Always pre-shrink your fabric, by laundering/dry cleaning, before applying any backing, topping or thread! If you skip this step, you may be sorry after the first laundering as the design--especially dense ones--will "warp".                                                                 
3.
All of our backings are polyester. The fusible backings require an iron temperature setting compatible with polyester. We prefer poly content in all embroidery supplies as it works well with any fabric type—also, the majority of our stitching is done on poly or blends.        
4.
Tip: The first rule of any sewing is to match thread & fabric content!

Fusibles--I always start with a fusible backing, regardless of fabric type. It just makes sense to me that anything fused to a fabric is going to insure a better chance of the fabric remaining stable throughout the stitching. If you choose not to use it on everything, it is a must on knits, or any fabric, which stretches. I prefer the commercial fusibles that tear away. Most home market fusibles have a paper backing, which makes hooping difficult—commercial fusibles are non-woven, but do not have the paper backing for easier hooping. Tip: Try stitching your outline first for large and/or dense designs for added stability. Be careful not to use an iron on too high/low a setting as it will cause the backing to bubble or not stabilize evenly and could come loose from the fabric before you're finished hooping--much less stitching! If a backing is simply lying underneath the fabric in the hoop, it's doing nothing to hold the fabric weave from stretching or drawing in during stitching!   Chambray, denim and other unstable woven or knit fabrics will need from 1-2 layers of a tear away fusible, if you're using commercial backing. Tip: Fuse one with the straight-grain & another with the cross-grain to insure stretchy fabrics are stabilized!

Solvy-- If the design you're stitching is dense or uses the stitch on stitch technique, you will also want to add a layer/layers of solvy on top. I choose to use a layer of web solvy on top of any fabric type and sometimes layering solvy to add dimension to the design. If you prefer to use a spray adhesive to hold it in place, spray the solvy--not the fabric!

  If using a fusible on a garment that will lay next to the skin, you will also need to add a final layer of soft tear away --use the spray adhesive for a temporary hold or better still try using our soft fusible interfacing to cover those jump stitches that we are not supposed to clip! Ours won't change the hand of your fabric! TIP: cut your fusible interfacing with pinking shears to a size slightly larger than the design to avoid show through on the outside of the garment! This is especially true for soft knits, which would have a rigid area around the design.   

      For those special fabrics that a hoop will leave marks on or small garment parts like collars, cuffs or children's clothing, you will want to keep some self-adhesive backing on hand. ( See our new appliqué product for use as sticky too!) To use this you hoop the backing with the paper on. Carefully score the paper in the area to be stitched. Remove the paper and lay the garment part on top of the hoop--applying enough pressure to hold it firmly in place. Add solvy if necessary, using the spray adhesive to hold it in place. Proceed as usual with the stitching.

      All the products I've mentioned above may be found at our Supplies
Page at - Embroidery Supplies - Only the Best !

     An additional word on the solvy we carry - it is by far the easiest to remove when the design is finished. I spray a mist of cold water and allow to air dry. Do not apply heat until the fabric is completely dry. You won't need to do anything other than mist - honest! The web dissolves like cotton candy and won't leave your design stiff ! An added bonus is that the web can be used to fuse appliqués temporarily—then launders out !

THREADS
Isacord Thread

    Isacord® polyester thread is well known for its strength and beautiful luster. It is nearly 1 ½ times stronger and more colorfast than rayon. Each cone of 40-weight thread has 1080 yards and a patented snap-lock bottom to secure thread ends from unraveling. Consistent dye lots mean you will see no visible difference from cone to cone. Now comes in 315 colors and this includes the
95  New Colors - All are available Now and in Stock.

Click on link >   Conversion charts to Isacord Colors

TIP: Always match thread content to fabric content for best results in sewing & laundering!

Rayon--has long been the most widely used of any machine embroidery threads. It is known for it's
high sheen and brilliant colors. You must use care when laundering and it isn't as strong as some
of the acrylic and polyester threads. Always use a lower tension setting for a smoother running stitch, fewer breaks and loops. It's usually the most expensive of the embroidery threads.

Acrylic--is slightly stronger than rayon with a coarser texture. It is more colorfast than rayon but is not as smooth running; therefore you would need to use a slightly larger needle. Pricing is generally in the middle range of embroidery threads.

Isacord® Polyester--is stronger and more colorfast than rayon or acrylic threads. In most cases, it can even be bleached when laundering without fading which makes it ideal for most uses--especially children's and denim garments. It is probably the smoothest running, most trouble free of all machine embroidery threads. It has beautiful sheen and is usually the least expensive of the embroidery threads.

TIP: For best sewing & embroidery results always pre-shrink garment or project fabric.

Bobbin - the bobbin thread needs to be strong and very fine to avoid unnecessary bulk behind the finished design. Never use the spun poly bobbin thread, as it will cause lint build up inside the bobbin case, hook race and interior of your machine and cause problems. The continuous filament polyester is the best of the bobbin threads. It is stronger, produces less lint and thin enough to prevent a heavy build up on the backs of dense designs. Tip: If changing top or bobbin threads brands-get your dealer to re-set your upper/lower tension setting to both the new threads!

NEEDLES

        Here we have 3 choices that cause no problems with our machines when you select the correct size. They are Janome®, Schmetz® and Organ® - The least expensive of the three is the Organ brand and remember - machine manufacturers can't afford to pack inferior needles in their machines - this is why we carry the Organ needles!

TIP: Always choose the smallest needle size for the design, fabric & thread. This prevents over penetration of the fabric, which can cause fabric weakness under the design!

When purchasing needles for your machine you need to know the parts of a needle in order to best decide which one you will need.

Shank--the top portion of the needle that you insert in the needle bar. Our machines require a flat backed, rounded front shank. Always place the flat back to the back or away from you when inserting.

Shaft--the lower part of the needle between the shank and the eye.

Groove/Scarf--the hollowed out part of the needle just before the eye.

Eye--the opening through which the thread passes.

Point--the tip of the needle, which pierces the fabric to deliver the thread to the hook race to lock with the bobbin thread to form a stitch. There are a variety of points available for various types of fabric and technique. Following is a simple guideline for choosing needle size and type:

#60/8-S--organza/silk or any fabric where you don't want to see the needle holes.

#70/9-S -- light weight woven

#75/11-S or BP--light weight woven & for great outlines

#80/12-S or BP--medium woven

#90/14--our special needle for twisting thread & metallics.

TIP: Commercial embroiders use light to medium ballpoint needles for most applications with the exceptions of leather and waterproof or coated fabrics and canvas!
 
       We hope we've taken some of the mystery out of the selection of embroidery supplies. There are so many new products coming out all the time that it gets confusing and not all of them are worth the price you pay to try them out! The items we've mentioned are the tried and true -not just by me, but by the commercial embroidery industry.

Thread Artist Designs On Line Newsletter & Specials

      Greetings to all our subscribers! We have some hints & tips for you in addition to our specials. We hope you benefit from the tips and be sure to send for the new free design when you place an order of $25 or more!
   
    All our Spring ’99 collections are the best we’ve ever created. These designs are of commercial quality & all have great depth, texture & detail. We hope you enjoy stitching them as much as we’ve enjoyed creating them!

Stabilizers/Backings

           There are almost as many backings on the market as there are embroidery designs. Well maybe not as many, but when you’re trying to choose the best backings it can seem like there are!

1 - Consider is how dense and/or large the design is.

2 - What fabric are you going to stitch the design on.

3 - What method of laundering will be used and how often will the garment be laundered.

    Since most of us don’t want the "armor" look when we’re finished, you should choose the softest backing that will support the design. Sometimes this means using multiple layers of a lighter backing rather than one or two layers of a heavier backing. When using multiple layers or stitching on a fabric which is difficult to control, try placing your backing layers at 90 degree angles—straight grain then cross grain—to produce the best results.

    Avoid using paper products for stabilizing, such as freezer paper or coffee filters. These products are not meant to be used as embroidery backing. Paper products will dull your needle and will not stay with the design after laundering. If the stabilizer does not stay with the design after laundering the design will be weak and may become warped or wavy.

    If you’re not using a fusible backing, always baste or use a temporary spray adhesive to affix the backing to your fabric before hooping. If this process is skipped, the result might be outlines, which are "off".

    Consider combining and/or layering different styles & weights of stabilizers to create the exact when you can’t find exactly the right weight or style of backing for your design/fabric project. For instance, your have a large, fairly dense design that needs to go on a medium weight knit—you may want to try using 1 layer of medium weight fusible and a couple of layers of soft tear away. Or try a base layer of medium cut away with 2-3 additional layers of soft tear away or poly mesh.

    All backings may be used in this way. In fact, it is preferable to using too many layers of one kind!

    We now have a sample pack of all our backings, & their uses, at a reasonable price - Click on this link to order > Embroidery Supplies

Text links - > Our Other Great Embroidery Supplies -Got a problem ? The right supplies can help.

               > Our Stabilizing Lessons < Free lessons - so your can get great results for you designs

                     > Our Basting Stitch < Download files & How to use & test your methods

    > Need Hooping Help ? < More free lessons - > Hooping Aids < Specials for the Snappy ~ Embroidery's Friend ~ Embroidery Mate

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